Ⓐ 227 terms
Glossary
Every key term defined across the library — a priori to Übermensch — gathered automatically from the essays, each linked to the page that explains it in full.
- A priori / a posteriori
- Known independently of experience (necessary, universal) / known through experience. — Immanuel Kant
- Ādikāvya
- "The first poem" — the Rāmāyaṇa's traditional status. — The Rāmāyaṇa
- Advaita
- "Non-duality" — Brahman alone is real; the self is Brahman. — Ādi Śaṅkara
- Agni-parīkṣā
- Sītā's ordeal by fire. — The Rāmāyaṇa
- Ambiguity
- The human condition as both subject and object, free and bodily. — Simone de Beauvoir
- Anagnōrisis
- Recognition — the poem's chain of recognition scenes. — The Odyssey
- Analytic / synthetic
- Predicate contained in the subject concept / predicate adds something new. — Immanuel Kant
- Anamnēsis
- Recollection — the doctrine that learning is remembering what the soul knew before birth. — Plato
- Anattā
- Not-self — no permanent, independent self in any phenomenon. — Gautama Buddha
- Anattā (No-Self)
- The Buddha’s teaching that there is no permanent, unchanging self — only a flowing stream of physical and mental processes. — Anattā (No-Self)
- Anekāntavāda
- The Jain doctrine that reality is many-sided — that every thing has infinite aspects and every statement captures only one, so that truth requires holding many viewpoints together. Expressed in the parable of the blind men and the elephant and formalised in the sevenfold logic of syādvāda. — Anekāntavāda
- Anicca
- Impermanence. — Gautama Buddha
- Antic disposition
- Hamlet's feigned madness — "I am but mad north-north-west". — Hamlet
- Anxiety
- Not fear of something, but dread before freedom and nothingness — for Kierkegaard “the dizziness of freedom”, for Heidegger the mood that reveals the nothing. — Anxiety
- Apollonian / Dionysian
- The drives of form and individuation vs. intoxication and unity, whose union produced Greek tragedy. — Friedrich Nietzsche
- Aporia
- Perplexity, impasse; the state in which the early dialogues end. — Plato
- Aporia
- Perplexity, impasse — the productive state of knowing that one does not know. — Socrates
- Aretē
- Excellence — in Homer, chiefly prowess in battle and counsel. — Homer
- Aristeia
- A hero's "finest hour" of triumphant fighting — Diomedes', Patroclus's, Achilles'. — The Iliad
- Articles of faith
- Revealed truths beyond reason (Trinity, Incarnation). — Thomas Aquinas
- Association of ideas
- The "gentle force" by which ideas are linked — resemblance, contiguity, cause and effect. — David Hume
- Ātman
- The Self — the witness-consciousness, identical with Brahman. — Ādi Śaṅkara
- Ātman is Brahman
- The central Upanishadic insight — the innermost Self of each being is identical with the ultimate reality of the universe. — Ātman is Brahman
- Attribute
- What the intellect perceives as the essence of substance — we know thought and extension. — Baruch Spinoza
- Aufhebung (sublation)
- Cancelling, preserving and raising up at once. — Georg Wilhelm Friedrich Hegel
- Avatāra
- The descent of a god — Kṛṣṇa as Viṣṇu. — The Mahābhārata
- Baciyelmo
- Sancho's "basin-helmet" — the emblem of two perspectives at once. — Don Quixote
- Bad faith
- Self-deception that denies one's freedom or facticity. — Jean-Paul Sartre
- Bad Faith
- Self-deception about one’s own freedom — pretending to be a thing, determined by role or nature, to escape the anguish of choice. — Bad Faith
- Barataria
- The "island" Sancho governs — from barato, cheap. — Don Quixote
- Being-in-itself / for-itself
- The being of things versus the being of consciousness. — Jean-Paul Sartre
- Being-in-the-world
- Our unified existence as engaged in a world. — Martin Heidegger
- Blank verse
- Unrhymed iambic pentameter. — John Milton
- Blank verse
- Unrhymed iambic pentameter — the basic line of Shakespeare's drama. — William Shakespeare
- Brahman
- The ultimate reality — being, consciousness, bliss. — Ādi Śaṅkara
- Catalogue of Ships
- The list of the Greek forces in Book 2. — The Iliad
- Chekhov's gun
- Every element in a story must be necessary. — Anton Chekhov
- Cide Hamete Benengeli
- The fictional Arab historian whose chronicle the narrator "translates". — Don Quixote
- Clear and distinct perception
- Perception so evident that it compels assent — the criterion of truth. — René Descartes
- Cocytus
- The frozen lake of the traitors at the bottom of Hell. — The Divine Comedy
- Cogito
- "I think, therefore I am" — the first certainty. — René Descartes
- Cogito, ergo sum
- I think, therefore I am — the one certainty Descartes found after doubting everything else. — Cogito, ergo sum
- Contrapasso
- The principle by which each punishment mirrors its sin. — The Divine Comedy
- Copy Principle
- Every simple idea is copied from a preceding simple impression. — David Hume
- Crystal Palace
- The symbol of rationalist utopia that the Underground Man refuses. — Fyodor Dostoevsky
- Daimonion
- Socrates' inner divine sign, which warned him against certain actions. — Socrates
- Das Ewig-Weibliche
- "The Eternal Feminine" — the principle of love that draws the soul upward. — Faust
- Das Man
- "The they" — anonymous everyday conformity. — Martin Heidegger
- Dasein
- "Being-there" — the human being as the entity whose being is an issue for it. — Martin Heidegger
- Dasein
- Heidegger’s term for the human being — “being-there” — the entity whose own being is an issue for it. — Dasein
- Death of God
- The collapse of belief in the Christian God and of everything built on it. — Friedrich Nietzsche
- Determinate negation
- Negation that yields a specific new content rather than empty nothing. — Georg Wilhelm Friedrich Hegel
- Deus sive Natura
- "God, or Nature" — their identity. — Baruch Spinoza
- Dharma
- Duty, law, righteousness — the order that the epic shows to be subtle and divided. — The Mahābhārata
- Dharma
- The central idea of Indian civilisation — the order that holds the world together, and the duty, law, virtue and right way of living that each being owes to it. For Buddhists, the Dhamma is also the Buddha’s teaching and the ultimate constituents of reality. — Dharma
- Dharmayuddha
- "War of dharma" — a righteous war fought by rules. — The Mahābhārata
- Dialectic
- The movement by which a concept or form of life reveals its inner contradiction and passes into a richer form. — Georg Wilhelm Friedrich Hegel
- Dialectic
- The movement of thought — and for Hegel, of reality — through contradiction toward a richer unity. — Dialectic
- Dolce stil novo
- "The sweet new style" — the love poetry of Dante's circle. — The Divine Comedy
- Dukkha
- Suffering, unsatisfactoriness — the first noble truth. — Gautama Buddha
- Dunamis / Energeia
- Potentiality and actuality — the acorn and the oak. — Aristotle
- Eidos / Idea
- Form — the eternal, unchanging, intelligible reality in which sensible things participate. — Plato
- Eirōneia
- Irony; feigned ignorance and dissembling praise. — Socrates
- Either/Or
- The decisive choice that cannot be mediated. — Søren Kierkegaard
- Elenchus
- Socratic refutation — testing a definition by drawing out its inconsistent consequences. — Plato
- Elenchus
- Socratic cross-examination that tests a belief by exposing its inconsistencies. — Socrates
- Empyrean
- The highest heaven, beyond space and time, where God and the blessed dwell. — The Divine Comedy
- Essence and existence
- What a thing is, and that it is — distinct in creatures, identical in God. — Thomas Aquinas
- Eternal Recurrence
- Nietzsche’s thought-experiment — would you will to live your life again, every moment, infinitely? The supreme test of affirming life. — Eternal Recurrence
- Eudaimonia
- Flourishing, living well — Aristotle’s name for the highest human good, activity of the soul in accordance with virtue. — Eudaimonia
- Evil demon (malin génie)
- A hypothetical omnipotent deceiver — the device that makes doubt universal. — René Descartes
- Existence
- The concrete, temporal, choosing life of an individual — irreducible to any system. — Søren Kierkegaard
- Existence precedes essence
- Humans exist first and define themselves through action. — Jean-Paul Sartre
- Existence Precedes Essence
- Sartre’s formula — humans have no pre-given nature; we exist first and make ourselves through our choices. — Existence Precedes Essence
- Faustian bargain
- Trading one's soul or deepest values for knowledge, power or pleasure. — Faust
- Faustian man
- Spengler's term for restless, infinitely striving Western humanity. — Faust
- Felix culpa
- "Happy fault" — the Fall that made redemption possible. — John Milton
- First Folio
- The 1623 collected edition of 36 plays, compiled by Heminges and Condell. — William Shakespeare
- Five Ways
- Five arguments from motion, causation, contingency, degrees, governance to a first being. — Thomas Aquinas
- Form of life
- The shared practices in which language is embedded. — Ludwig Wittgenstein
- Gāndharva marriage
- Marriage by mutual consent. — Kālidāsa
- Geist (Spirit)
- Reality as self-knowing activity — mind in individuals, cultures and history. — Georg Wilhelm Friedrich Hegel
- Geist (Spirit)
- Hegel’s name for reality as self-knowing mind unfolding through nature, history, culture and philosophy. — Geist (Spirit)
- Gretchen tragedy
- The seduction and destruction of Margarete in Part One. — Faust
- Groundlings
- The audience standing in the yard of the Globe. — William Shakespeare
- Hamartia
- Aristotle's "tragic error" — Lear's pride and blindness in the love test. — King Lear
- Haymarket (Sennaya)
- The squalid market square at the heart of the novel's Petersburg. — Crime and Punishment
- Homunculus
- The tiny artificial human Wagner creates in a vial. — Faust
- Hume's Fork
- Every meaningful claim is either a relation of ideas (certain but empty) or a matter of fact (informative but uncertain) — metaphysics is neither. — Hume's Fork
- Hylomorphism
- The doctrine that physical things are compounds of matter (hylē) and form (morphē). — Aristotle
- Idea
- A fainter copy of an impression, used in thinking and memory. — David Hume
- Immanence / transcendence
- Repetitive maintenance of life versus creative projection into the future. — Simone de Beauvoir
- Impression
- A lively perception — sensation, passion, emotion — as it first appears in the mind. — David Hume
- In medias res
- Beginning a story in the middle. — John Milton
- In medias res
- Beginning in the middle of the story. — The Odyssey
- Indirect communication
- Communicating existential truth through pseudonyms and irony so the reader must choose for themselves. — Søren Kierkegaard
- Intuition (Anschauung)
- Immediate, singular representation of an object — given through sensibility. — Immanuel Kant
- Ipsum esse subsistens
- "Subsistent being itself" — God, whose essence is to exist. — Thomas Aquinas
- Jīva
- The individual, embodied self. — Ādi Śaṅkara
- Karma
- “Action” — and the law that every intentional action leaves a trace that ripens, in this life or a future one, as happiness or suffering. Shared by Hindus, Buddhists, Jains and Sikhs, karma explains the inequalities of fortune without a judge, and binds the self to the round of rebirth. — Karma
- Kāvya
- Ornate classical Sanskrit poetry. — Kālidāsa
- Kleos
- Glory, fame — "what is heard" in song; the hero's only immortality. — Homer
- Kleos aphthiton
- "Undying glory" — what Achilles chooses over a long life. — The Iliad
- Knight-errant
- A wandering knight seeking adventures to right wrongs — the ideal of the chivalric romances. — Don Quixote
- Kṣatriya
- The warrior class, whose dharma is to fight. — The Mahābhārata
- Lakṣmaṇa rekhā
- The line not to be crossed — a boundary of safety. — The Rāmāyaṇa
- Language game
- Language together with the activities into which it is woven. — Ludwig Wittgenstein
- Last Man
- The comfortable, mediocre human who wants only security and "happiness". — Friedrich Nietzsche
- Lendings
- Clothes — and everything else borrowed from society that covers the "thing itself". — King Lear
- Lessness
- Beckett's art of reduction and subtraction. — Samuel Beckett
- Limbo
- The first circle, home of virtuous pagans and unbaptized infants. — The Divine Comedy
- Louse
- Raskolnikov's word for the ordinary person — and, finally, for himself. — Crime and Punishment
- Love test
- Lear's demand that his daughters measure their love in words — the original sin of the play. — King Lear
- Mahākāvya
- The court epic. — Kālidāsa
- Maieutics
- The art of midwifery — helping others bring forth their own ideas. — Socrates
- Malebolge
- "Evil ditches" — the ten trenches of the eighth circle, for the fraudulent. — The Divine Comedy
- Man-god / God-man
- Kirillov's ideal of man who becomes God by self-will, versus Christ, God who became man. — Fyodor Dostoevsky
- Master and Slave Morality
- Nietzsche’s genealogy — “good/bad” was the self-affirmation of nobles; “good/evil” was invented by the resentful weak to revenge themselves on the strong. — Master and Slave Morality
- Māyā
- The power of appearance — in Advaita, the cosmic illusion by which the one Brahman appears as a world of many things. — Māyā
- Measure (la mesure)
- A sense of limits opposed to revolutionary absolutes. — Albert Camus
- Mēnis
- Wrath — the divine-scale anger of Achilles, the first word of the Iliad. — Homer
- Mēnis
- Wrath — the first word and the subject of the poem. — The Iliad
- Methexis
- Participation — the relation between a particular and its Form. — Plato
- Methodical doubt
- Doubting everything that can possibly be doubted, in order to find what cannot. — René Descartes
- Mētis
- Cunning intelligence. — The Odyssey
- Mode
- A modification of substance — every particular thing. — Baruch Spinoza
- Mokṣa
- Liberation — release from the cycle of rebirth and from all suffering, the highest goal of human life in the Hindu and Jain traditions (and, as nirvāṇa, in Buddhism). Every Indian school defines it differently, and the arguments over what it is, and how it is won, are the backbone of Indian philosophy. — Mokṣa
- Natura naturans / naturata
- Nature as active cause / nature as the totality of effects. — Baruch Spinoza
- Nekyia
- The journey to consult the dead (Book 11). — The Odyssey
- Nibbāna (nirvāṇa)
- "Blowing out" — the cessation of craving and suffering; the unconditioned. — Gautama Buddha
- Nihilism
- The devaluation of the highest values; the sense that nothing has meaning. — Friedrich Nietzsche
- Nirguṇa / saguṇa
- Brahman without attributes / with attributes (as personal God, Īśvara). — Ādi Śaṅkara
- Nirvāṇa
- The Buddhist goal — the “blowing out” of the fires of greed, hatred and delusion, the end of suffering and of rebirth. The Buddha described it as unborn and unconditioned, and refused to say whether the awakened exist after death. — Nirvāṇa
- Noontime thought (la pensée de midi)
- Mediterranean balance, sun and limits. — Albert Camus
- Nostos
- Homecoming — the subject of the poem. — The Odyssey
- Nothing from Nothing
- The ancient principle that nothing comes from nothing — the foundation of Greek physics and the target of the Christian doctrine of creation from nothing. — Nothing from Nothing
- Nothingness
- What consciousness introduces into being — negation, absence, possibility. — Jean-Paul Sartre
- Objectivity
- The writer as impartial witness, not judge. — Anton Chekhov
- Open ending
- Stories that end at a moment of unresolved transition. — Anton Chekhov
- Ousia (substance)
- What is most fundamentally real — in the Categories, the individual; in the Metaphysics, form or essence. — Aristotle
- Pandæmonium
- The capital of Hell — Milton's coinage. — John Milton
- Philosophical suicide
- Escaping the absurd through a leap of faith. — Albert Camus
- Picture theory
- Propositions represent facts by sharing their logical form. — Ludwig Wittgenstein
- Polyphony
- Bakhtin's term for the multiplicity of independent, fully valid voices in Dostoevsky's novels. — Fyodor Dostoevsky
- Polytropos
- "Of many turns" — the first epithet of Odysseus: versatile, much-travelled, devious. — The Odyssey
- Poor Tom
- Edgar's disguise as a naked "Bedlam beggar" — the image of "unaccommodated man". — King Lear
- Pratītyasamutpāda (Dependent Origination)
- The Buddha’s central insight — “when this exists, that comes to be; when this ceases, that ceases.” Nothing exists independently; everything arises from conditions. Applied to suffering, it becomes the twelve-linked chain from ignorance to death. — Pratītyasamutpāda (Dependent Origination)
- Preambles of faith
- Truths about God that reason can prove (God's existence, unity), which faith presupposes. — Thomas Aquinas
- Prestuplenie
- "Crime" — literally a stepping-across, a transgression. — Crime and Punishment
- Principium individuationis
- The principle of individuation — space and time, which make the one Will appear as many individuals. — Arthur Schopenhauer
- Purgatory
- The Ghost's place of suffering — a Catholic idea in a Protestant England, which some critics see as central. — Hamlet
- Quarto
- A small single-play edition; some ("bad quartos") contain corrupt texts. — William Shakespeare
- Quarto and Folio
- The two early texts of the play (1608 and 1623), which differ significantly. — King Lear
- Quixotic
- Exceedingly idealistic, unrealistic, impractical. — Don Quixote
- Rāma-rājya
- The ideal just kingdom. — The Rāmāyaṇa
- Ransom of Hector
- Priam's visit to Achilles, the climax of the poem. — The Iliad
- Rasa
- Aesthetic emotion evoked in the audience. — Kālidāsa
- Rasa
- The Indian theory of aesthetic experience — the “flavour” or “relish” that art evokes in the audience. Bharata named eight rasas; Abhinavagupta added peace and explained rasa as the self tasting its own consciousness through universalised emotion. — Rasa
- Rational Egoism
- Chernyshevsky’s doctrine that people always act from self-interest, and that enlightened self-interest will make everyone good. — Rational Egoism
- Ready-to-hand / present-at-hand
- Equipment in use versus objects observed. — Martin Heidegger
- Recognition (Anerkennung)
- Mutual acknowledgment of self-consciousnesses as free — the core of social freedom. — Georg Wilhelm Friedrich Hegel
- Relations of ideas / matters of fact
- Hume's Fork — demonstrable truths whose denial is contradictory vs. contingent truths known by experience. — David Hume
- Representation (Vorstellung)
- The world as it appears to a subject, shaped by space, time and causality. — Arthur Schopenhauer
- Res cogitans / res extensa
- Thinking substance / extended substance. — René Descartes
- Revenge tragedy
- The popular Elizabethan genre (Kyd's Spanish Tragedy) that Hamlet inherits and transforms. — Hamlet
- Revolt
- Living with the absurd without hope or resignation; in the second cycle, the refusal of oppression that affirms shared value. — Albert Camus
- Saṃsāra
- “Wandering” — the beginningless cycle of birth, death and rebirth through which beings pass according to their karma, and from which every major Indian religion seeks release. — Saṃsāra
- Saying / showing
- What can be stated versus what can only be shown. — Ludwig Wittgenstein
- Situation
- The concrete conditions within which freedom is exercised, and which can limit it. — Simone de Beauvoir
- Śoka / śloka
- Grief turned into verse — the origin of poetry. — The Rāmāyaṇa
- Soliloquy
- A speech by a character alone on stage, revealing their thoughts. — William Shakespeare
- Soliloquy
- Hamlet's seven great solo speeches — the record of a mind thinking. — Hamlet
- Śṛṅgāra
- The erotic rasa — love in union and separation (vipralambha). — Kālidāsa
- Stages (spheres) of existence
- Aesthetic, ethical, religious — possibilities of life separated by leaps. — Søren Kierkegaard
- Substance
- That which is in itself and conceived through itself — for Spinoza, only God. — Baruch Spinoza
- Subtext
- The drama beneath what characters actually say. — Anton Chekhov
- Śūnyatā (Emptiness)
- Emptiness — the Mahāyāna teaching that all things lack intrinsic, independent existence (svabhāva), because they arise in dependence on causes, parts and concepts. Not nothingness, but the openness that makes change and freedom possible. — Śūnyatā (Emptiness)
- Svayaṃvara
- A bride's choice of husband at a contest. — The Mahābhārata
- Synthetic a priori
- Judgments that are informative about the world yet knowable independently of experience. Kant’s master question was how they are possible. — Synthetic a priori
- Taṇhā
- Craving, "thirst" — the origin of suffering. — Gautama Buddha
- Telemachy
- The first four books, following Telemachus's journey. — The Odyssey
- Telos
- End, purpose, that for the sake of which. — Aristotle
- Terza rima
- Dante's interlocking rhyme scheme, aba bcb cdc… — The Divine Comedy
- The absurd
- The confrontation between the human need for meaning and the world's silence. — Albert Camus
- The Categorical Imperative
- Kant’s supreme principle of morality — act only on maxims you could will as universal laws; treat humanity always as an end, never merely as a means. — The Categorical Imperative
- The Copernican Revolution
- Kant’s reversal — instead of the mind conforming to objects, objects must conform to the mind’s forms of knowing. — The Copernican Revolution
- The Death of God
- Nietzsche’s announcement that belief in God has become unbelievable — and that with Him the foundations of Western morality have gone. — The Death of God
- The double plot
- Lear and his daughters mirrored by Gloucester and his sons. — King Lear
- The embassy
- Agamemnon's offer of gifts, which Achilles refuses. — The Iliad
- The extraordinary man
- Raskolnikov's theory that great men may "step over" moral law. — Fyodor Dostoevsky
- The extraordinary man
- Raskolnikov's theory that great men may step over moral law. — Crime and Punishment
- The Fool
- The licensed jester who tells the king the truth; vanishes after Act 3. — King Lear
- The Forms
- Plato’s eternal, perfect, unchanging realities — Beauty itself, Justice itself, the Good — of which the things we see are imperfect copies. — The Forms
- The four causes
- Material, formal, efficient, final — the four kinds of explanation. — Aristotle
- The heath
- The bare, storm-swept place where Lear loses everything and finds compassion. — King Lear
- The ladder
- The Tractatus's own propositions — to be climbed and thrown away. — Ludwig Wittgenstein
- The Leap of Faith
- Kierkegaard’s claim that faith cannot be reached by reasoning — it is a passionate decision made in the face of the absurd. — The Leap of Faith
- The Look
- The gaze of the Other, which makes me an object. — Jean-Paul Sartre
- The Mousetrap
- The play-within-the-play that catches Claudius's conscience. — Hamlet
- The Other
- The inessential being defined in relation to the Subject — woman's position. — Simone de Beauvoir
- The Problem of Induction
- No non-circular argument shows that the future will resemble the past — yet all science and daily life depend on it. — The Problem of Induction
- The serious man
- One who sacrifices freedom to an absolute idol. — Simone de Beauvoir
- The Shield of Achilles
- Hephaestus's shield, engraved with the whole world of peace and war. — The Iliad
- The Thing-in-Itself
- Reality as it is independently of how it appears to us — for Kant, thinkable but never knowable. — The Thing-in-Itself
- The Übermensch
- Nietzsche’s “overman” — the human being who, after the death of God, creates new values and affirms life wholly. — The Übermensch
- The wager
- Faust's bet with Mephistopheles that no moment will ever satisfy him. — Faust
- The Will
- Schopenhauer’s name for the thing-in-itself — a blind, aimless, insatiable striving that expresses itself in everything, from gravity to human desire. — The Will
- The yellow ticket
- The licence of a registered prostitute in tsarist Russia. — Crime and Punishment
- Theatre of the Absurd
- Martin Esslin's term (1961) for drama portraying the senselessness of the human condition. — Samuel Beckett
- Theodicy
- Justifying God's goodness in the face of evil. — John Milton
- Thrownness
- Being delivered into a situation we did not choose. — Martin Heidegger
- Tilting at windmills
- Attacking imaginary enemies. — Don Quixote
- Timē
- Honour, publicly measured — prizes, gifts, precedence. — Homer
- Tragicomedy
- The mixture of despair and clowning. — Samuel Beckett
- Transcendental
- Concerning the a priori conditions of the possibility of experience. — Immanuel Kant
- Transcendental idealism
- The doctrine that space, time and the categories are forms of our cognition, so that we know only appearances. — Immanuel Kant
- Trichinae dream
- The epilogue's vision of a plague of self-certain ideas destroying humanity. — Crime and Punishment
- Truth is subjectivity
- For existential truths, the "how" of passionate appropriation matters as much as the "what". — Søren Kierkegaard
- Übermensch
- The "overman" who creates values and affirms life after God's death. — Friedrich Nietzsche
- Underground
- The condition of hyper-conscious, spiteful, isolated modern man. — Fyodor Dostoevsky
- Veil of Māyā
- The illusion of separateness between individuals. — Arthur Schopenhauer
- Will (Wille)
- The thing-in-itself — blind, aimless, insatiable striving, one behind all appearances. — Arthur Schopenhauer
- Will to Power
- Nietzsche’s idea that the basic drive of all life is not survival but growth, mastery, self-overcoming. — Will to Power
- Will-less subject of knowledge
- The state of pure aesthetic contemplation. — Arthur Schopenhauer
- Wittenberg
- Hamlet's university — Luther's, and Faustus's. — Hamlet
- Xenia
- Guest-friendship — the sacred obligations between host and guest. — Homer
- Xenia
- The sacred bond of guest-friendship. — The Odyssey