From about the sixth century, beginning in the Tamil country, a new kind of religion swept India: bhakti, passionate personal love of God, sung not in Sanskrit but in Tamil, Kannada, Marathi, Hindi, Punjabi and Bengali, by poet-saints who were often low-caste, untouchable or women. They taught that God’s grace reaches anyone who loves, and that temples, priests, pedigree and pilgrimage count for less than the name of God said with a full heart. Start with The Bhakti Movement, the whole story.
Two ways of loving God
The saints divided over one question: is God with form (saguṇa) — Rāma, Kṛṣṇa, Viṭṭhal, Śiva — or beyond form (nirguṇa)? Tulsīdās, Sūrdās and Mīrābāī loved a God with a face; Kabīr and Guru Nānak a God who could not be pictured. Rāmānanda is claimed as the teacher of both.
Where to begin
- Kabīr — “If God is in the mosque, whose is the rest of the world?”
- Mīrābāī — a princess who chose Kṛṣṇa over a kingdom.
- Rāmcaritmānas — the most loved book of North India.
- Basavaṇṇa (Basava) — work is worship; the body is the temple.
- Tukārām — a grocer’s honest songs to Viṭṭhal.
Map of Influence
who answered whom, inside this roomThinkers & Authors
13Āṇṭāḷ
The only woman among the twelve Tamil Āḻvār saints (9th century) — a girl who wore the garland meant for Viṣṇu, refused any human husband, and wrote the Tiruppāvai and Nācciyār Tirumoḻi, poems of longing for God as her bridegroom.
Basavaṇṇa (Basava)
The 12th-century Kannada saint, poet and statesman who founded the Vīraśaiva (Liṅgāyat) movement — rejecting caste, temples, priests and the Vedas, preaching that work is worship and that every devotee carries Śiva on his body.
Jñāneśvar
The 13th-century Marathi saint-poet who, at about twenty, wrote the Jñāneśvarī — a 9,000-verse commentary on the Bhagavad Gītā in Marathi that founded Marathi literature and the Vārkarī devotional tradition — and entered living samādhi at twenty-one.
Lal Ded (Lalleśvarī)
The 14th-century Kashmiri Śaiva mystic who wandered naked singing short verses (vākhs) of fierce, non-dual devotion — the mother of Kashmiri literature, claimed equally by Hindus and Muslims.
Rāmānanda
The 14th–15th century Vaiṣṇava teacher of Vārāṇasī who, by tradition, opened devotion to Rāma to all castes and both sexes, and whose disciples included Kabīr, Ravidās and Pīpā — the bridge between South Indian theology and North Indian bhakti.
Kabīr
The 15th-century weaver-poet of Vārāṇasī who mocked both Hindu and Muslim orthodoxy, taught devotion to a formless God found within, and left the most quoted couplets (dohās) in the Hindi language.
Guru Nānak
The founder of Sikhism (1469–1539) — a Punjabi mystic and poet who proclaimed “there is no Hindu, there is no Muslim”, taught devotion to the one formless God (Ik Onkār), honest work and sharing, and the equality of all people.
Sūrdās
The 16th-century blind poet of Braj whose songs of Kṛṣṇa’s childhood mischief and the gopīs’ longing — the Sūrsāgar, “Ocean of Sūr” — are the heart of Kṛṣṇa devotion in Hindi.
Caitanya Mahāprabhu
The 15th–16th century Bengali saint who led an ecstatic movement of singing the names of Kṛṣṇa, regarded by his followers as Kṛṣṇa and Rādhā in one body — founder of Gauḍīya Vaiṣṇavism and ancestor of the Hare Kṛṣṇa movement.
Mīrābāī
The 16th-century Rajput princess who declared herself the bride of Kṛṣṇa, defied her royal in-laws, survived (the legends say) cups of poison and a basket with a snake, and left her palace to sing — the most beloved woman poet of North India.
Tulsīdās
The 16th-century poet of Vārāṇasī who retold the Rāmāyaṇa in Avadhī as the Rāmcaritmānas — the most widely read and recited book in North India — and wrote the Hanumān Chālīsā, sung daily by millions.
Tukārām
The 17th-century Marathi saint-poet, a grocer of the Śūdra caste, whose thousands of abhaṅgas to Viṭṭhal of Pandharpur — honest, anguished, joyful, scornful of hypocrisy — are the most loved poems in Marathi.
Ramakrishna Paramahamsa
The 19th-century Bengali mystic of the Dakshineswar Kālī temple who practised Hindu, Muslim and Christian paths and declared “as many faiths, so many paths” — the guru of Vivekananda and the fountainhead of modern Hindu universalism.
Works
3The Bhāgavata Purāṇa
The most beloved of the Purāṇas (c. 9th–10th century) — twelve books of devotion to Viṣṇu, culminating in the tenth book’s life of Kṛṣṇa: the butter-thief child, the cowherd, the lover of the gopīs, the god who dances with every devotee at once.
Gītagovinda
Jayadeva’s 12th-century Sanskrit song-cycle on the love of Rādhā and Kṛṣṇa — jealousy, separation, longing and reunion — the most musical and sensuous poem in Sanskrit, read as an allegory of the soul’s love for God.
Rāmcaritmānas
Tulsīdās’s 16th-century retelling of the Rāmāyaṇa in Avadhī Hindi — 12,800 lines of devotional epic that made Rāma the God of North India, recited daily, staged every year as Rāmlīlā, and loved more than any other book in Hindi.