Marginalia
Leo Tolstoy
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Leo Tolstoy

/ tol-STOY /
Лев Николаевич Толстой

The Russian giant of War and Peace and Anna Karenina, who in mid-life fell into a crisis of meaning and reinvented himself as a prophet of non-violence and simple Christian love.

Lived 1828 – 1910From Yasnaya Polyana, Tula novelist · essayist
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Inherited from
Leo Tolstoy
Tolstoy
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Tolstoy in Five Ideas

the essentials

History is not made by great men

War and Peace argues that Napoleon is carried by history, not its maker; history is the sum of countless individual wills.

The crisis of meaning

At fifty, rich and famous, Tolstoy asked “what will come of my whole life?” and could find no answer. His Confession records the abyss.

Death reveals life

In The Death of Ivan Ilyich a respectable man discovers, dying, that his correct life was not real life at all.

Non-resistance to evil

The core of the Gospel is the Sermon on the Mount — do not resist evil by force. This inspired Gandhi, with whom Tolstoy corresponded.

Art as infection

In What Is Art? true art transmits feeling from artist to audience — and must be accessible to all.

Count Tolstoy owned a large estate, fought at Sevastopol, wrote two of the greatest novels in any language — and then turned against them. The religious crisis of the late 1870s made him a radical Christian anarchist, excommunicated by the Orthodox Church in 1901. At 82 he fled his home and family secretly at night and died days later at the remote railway station of Astapovo.

Curiosities

did you know?
  • He corresponded with the young Gandhi about non-violence.
  • He died at a remote railway station after secretly fleeing his home at 82.

Questions to Argue About

debate club →
  1. Do great men make history, or does history make great men?
  2. Should one resist evil by force?

In Their Own Words

4 quotations
All happy families are alike; each unhappy family is unhappy in its own way.

Все счастливые семьи похожи друг на друга, каждая несчастливая семья несчастлива по-своему.

— Leo Tolstoy · Anna Karenina, Part I ch. 1 (opening)
Context & when to use it

The most famous opening in the Russian novel.

For the variety of failure versus the sameness of success — “the Anna Karenina principle”.

Ivan Ilyich’s life had been most simple and most ordinary and therefore most terrible.
— Leo Tolstoy , The Death of Ivan Ilyich · ch. 2
Context & when to use it

The narrator’s verdict on a life lived entirely by convention.

For conformity, the unexamined life, bad faith.

The syllogism he had learnt — “Caius is a man, men are mortal, therefore Caius is mortal” — had always seemed to him correct as applied to Caius, but certainly not as applied to himself.
— Leo Tolstoy , The Death of Ivan Ilyich · ch. 6
Context & when to use it

Dying, Ivan Ilyich discovers that logic does not make death believable.

For the gap between knowing and realizing; Heidegger’s “one dies” versus “I die”.

Everyone thinks of changing the world, but no one thinks of changing himself.
— Leo Tolstoy · Attributed — a paraphrase of "Three Methods of Reform" (1900)
Context & when to use it

Tolstoy argued that social reform must begin with inner moral change.

For personal responsibility over activism.

⚠ A popular paraphrase; the wording is not Tolstoy’s own.

Through Their Characters

1
What if my whole life has really been wrong?
— Ivan Ilyich , The Death of Ivan Ilyich · ch. 11
Context & when to use it

The question that finally opens him to truth.

For mid-life crisis, examined life, regret.

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