Edmund is the most philosophical villain in Shakespeare. Mocked by his father in the first scene for being conceived in “good sport”, excluded from inheritance by the accident of illegitimacy, he declares war on the whole social order:
Thou, Nature, art my goddess; to thy law My services are bound… Why bastard? wherefore base?… Now, gods, stand up for bastards!
His “Nature” is not the moral order of the Christian universe but raw force and appetite — a view close to Niccolò Machiavelli, Hobbes and, later, Friedrich Nietzsche. He mocks his father’s astrology (“the excellent foppery of the world… as if we were villains on necessity”) with an Enlightenment scepticism. He is witty, energetic, attractive — Goneril and Regan both fall for him and destroy each other over him.
And yet, dying, he says the most touching line given to any villain: “Yet Edmund was beloved.” He has never been loved before, and the discovery moves him to try, too late, to save Cordelia: “Some good I mean to do, / Despite of mine own nature.”
Compare Iago in Othello — evil with no clear motive — and Raskolnikov — who, like Edmund, thinks the strong may step over the law.
Questions to Argue About
debate club →- Is Edmund right that legitimacy and custom are arbitrary?
Explore Next
related by shared connectionsThe Prince
Machiavelli’s short, scandalous handbook on gaining and keeping power — the founding text of political realism.
Kauṭilya (Cāṇakya)
The Brahmin strategist who, by tradition, made Candragupta Maurya emperor and wrote the Arthaśāstra — the ancient world’s most comprehensive treatise on statecraft, economics, law, diplomacy, espionage and war. India’s Machiavelli, two thousand years before Machiavelli.
Rodion Raskolnikov
Impoverished ex-student who murders a pawnbroker to prove he is an “extraordinary man” beyond morality — and is broken and reborn by his conscience.
Cordelia
Lear’s youngest daughter, who will not flatter, is disinherited, returns to rescue him, forgives him with “No cause, no cause” — and is hanged.
Lear Wakes: "No Cause, No Cause"
Lear wakes from madness to find Cordelia beside him, thinks he is in hell, begs her forgiveness — and she answers with two words that undo the whole tragedy.
The Übermensch
Nietzsche’s “overman” — the human being who, after the death of God, creates new values and affirms life wholly.