Marginalia

Cordelia

Lear’s youngest daughter, who will not flatter, is disinherited, returns to rescue him, forgives him with “No cause, no cause” — and is hanged.

✶ In the Atlas
honestproudlovingsilentforgiving

Cordelia speaks fewer than a hundred lines in the whole play, and almost every one matters. Asked to declare her love in exchange for a third of the kingdom, she says “Nothing” — not because she does not love her father, but because her love is too real to be auctioned: “I love your majesty / According to my bond, no more nor less.” Her sisters’ extravagant words are lies; hers are true, and she pays for them with her inheritance.

Critics have debated whether she is a saint or partly at fault. Coleridge noted “a little faulty admixture of pride and sullenness” in her first-scene refusal. But her return transforms everything. When her mad father, waking, fears she hates him — “I know you do not love me… you have some cause” — she answers with two words that undo the whole first scene: “No cause, no cause.”

Her death — hanged in prison on Edmund’s order, minutes before the countermand arrives — is the most shocking thing in Shakespeare. There is no reason for it. A. C. Bradley saw her as a Christ-like figure whose death redeems; others see in her death the play’s refusal of any consoling justice.

See King Lear, Lear Wakes: "No Cause, No Cause", The Death of Cordelia.

Questions to Argue About

debate club →
  1. Was Cordelia right to answer ‘Nothing’? Could she have loved her father better by saying more?

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